Carnegie Hall will take your breath away. Standing on the storied old stage and looking out at 2,800 expectant concert goers in one of the world’s most prestigious venues is a dividing line in the history of any performer.
READY TO GO: From newchoir in Toronto, Georg Bjarnason, right, and I waiting to take the stage at Carnegie Hall.
It is a transformational experience, duly noted by a flood of emotions that well up seemingly out of nowhere, not only in the heat of performance but also during dress rehearsal — where before you, filling every one of the red cloth-covered seats, is history — and afterward, too, once you’ve climbed back up the staircase to your dressing room.
There is admiration of history and architecture, the way the grand auditorium’s multi-tier seating arrangement sweeps around you. There is a keen sense of destination and of destiny too, and in the midst of the storied opulence, no matter how politely stated, one is moved to acknowledge his own beginnings and the steps that led him here. Along with surges of elation and a sense of musical elevation comes a soaring joy, but also sobriety.
I got to experience this firsthand on March 29, as part of the Distinguished Concerts International New York presentation Total Vocal. Continue reading
