Tag Archives: Vital Signs

New life found in breathtaking Carnegie Hall experience

By DAN HODDINOTT

Carnegie Hall will take your breath away. Standing on the storied old stage and looking out at 2,800 expectant concert goers in one of the world’s most prestigious venues is a dividing line in the history of any performer.

Georg and I backstage at Carnegie Hall

READY TO GO: From newchoir in Toronto, Georg Bjarnason, right, and I waiting to take the stage at Carnegie Hall.

It is a transformational experience, duly noted by a flood of emotions that well up seemingly out of nowhere, not only in the heat of performance but also during dress rehearsal — where before you, filling every one of the red cloth-covered seats, is history — and afterward, too, once you’ve climbed back up the staircase to your dressing room.

There is admiration of history and architecture, the way the grand auditorium’s multi-tier seating arrangement sweeps around you. There is a keen sense of destination and of destiny too, and in the midst of the storied opulence, no matter how politely stated, one is moved to acknowledge his own beginnings and the steps that led him here. Along with surges of elation and a sense of musical elevation comes a soaring joy, but also sobriety.

I got to experience this firsthand on March 29, as part of the Distinguished Concerts International New York presentation Total Vocal. Continue reading

A new magical journey begins

By DAN HODDINOTT

Already ressurrecting myself from the exhaustion of keeping up with the breakneck pace of hopefuls trying to hang onto or get a sip from the cup of power afforded by municipal politics, I’m gearing up now for what to me is the better pursuit: the main stage at New York’s prestigious Carnegie Hall.

Main stage, Carnegie Hall

BEAUTIFUL, STORIED Carnegie Hall is calling. I’ll be there on March 29, performing as part of the Toronto-based Newchoir ensemble.

I have no personal interest in municipal politics. But as a journalist I’ve been compelled since campaign season opened in January to devote large blocks of time to chronicling the comings and goings of quite a large field of persons to whom it matters greatly, and also of those impacted by the characteristics some of the races have taken on. Pleasing some of the people some of the time is not a 9-to-5 pursuit. The clock does keep running well past closing time.

The streaking comet that is Oct. 27 cannot pass early enough. Looking back at the personal life allowed to lapse while my attention has been thus occupied, I note the number of performance opportunities of the artistic kind — my first love — having passed me by. I assure you, the votes will scarcely have been counted before I will have changed costume. Continue reading